Tawny Frogmouths - SOLD OUT

Tawny Frogmouths - SOLD OUT

A$290.00

Limited Edition Prints: Total Release of 50
Certificate of Authenticity included
Ratio 1:1 from Original
Image Size: 390w x 570h mm
Signed by Artist with Title and Individual Number
Actual Print does not contain watermark 
Print is carefully wrapped in a protective sleeve and tube for shipping 
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Boxed set of Greeting Cards and Thank You card

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Inspiration: Tawny Frogmouths have been one of the most elusive birds for me to photograph! I see them all the time while driving at night but never have my camera on me… it’s like they know when I’m not prepared. So when I saw Robert’s photograph of these two it really stood out to me, as if the two little mischief makers had finally been caught! 

I used a bit of watercolour on their eye’s to bring out the amber hues but used the scorch through the tree branch and gumnuts. The older gumnut shells were to mark a sort of passage of time since I’ve been asked to do Frogmouths for years and years now, so they’re finally here. 

Thanks to Robert Pyne Photography for the reference image.


Although often mistaken for an owl, the Tawny Frogmouth is not an owl. Both species have mottled feather patterns and wide eyes. However, owls possess strong legs, powerful talons, and toes with a unique joint that is used to catch prey. Tawny Frogmouths prefer to catch their prey with their beaks and hence their beaks are wide and forward facing to accomplish this necessary task. 

Partly due to their mottled grey plumage, they are also extremely adept at camouflaging themselves. They will choose to perch in a broken part of a tree branch, hold their head upwards, and remain incredibly still while at rest during the day or while predators are nearby.

Artworks by Maegan Oberhardt highlight many species of wildlife native to Australia. This piece forms part of a collection of artwork that expands environments, composition, and the use of compatible media within the piece. The primary connection within her art is in the technique. It is man-made fire burning paper (which is a by-product of trees). This comments on the conflict between man and nature. The result of that conflict is that most wild species are directly impacted by man’s carbon footprint.

This series has had a foundation of watercolour painted on the sketch to create a more accurate depiction of the subject. In addition, soot was utilised to achieve the variety of charcoal greys present in the finished artwork. 

 
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